Copyright 2006 T. Sheil & A. Sheil All Rights Reserved
MILIHISTRIOT ONLINE
35
years ago, the military miniature hobby had a strange attitude toward soft
plastic figures. Soldiers such as Marx
and MPC were considered “toys.”
Soldiers by Britains were considered to be something better. Back then, Britains figures were PVC
plastic. One has to wonder. Of course, there was the hardcore contingent
that felt that only metal figures could be serious miniatures, while others
might accept hard plastic figures such as Historex. Most had little regard for plastic figures by Monogram or Tamiya.
Most soft plastic figures were
made as toys. Marx was a toymaker. Though the sculpting on Marx figures can be
exquisite, the details are not always historical. For instance, too many of the World War II 54mm soldiers are armed
with carbines. The Marx World War II Germans lack suspenders, and many carry a
rifle that looks more like an Enfield carbine than any Mauser. Anomalies can be found in most ranges of
toy figures. Accuracy was not as
important as play value.
The first plastic kit figures
were pretty good, but limited. Adams
(Later Renwal, later Revell) produced a set of 1/40 scale American figures that
has good poses, detail and animation.
Their main weakness was their size: 45mm. Monogram also made a set of plastic kit soldier, but these were
1/35, or 50mm scale. Size and time
worked against Monogram. Though figures
in correct World War II uniforms were included with some kits, the boxed set of
troops were late 1950s types. Monogram
also had a problem of some troops being a bit off, insofar as detail or
proportion.
Tamiya came out with some of the
finest tank models of the time. Despite
their being 1/35 instead of the accepted 1/32 scale, they had good detail and
were accurate. Their initial sets of
soldiers were less accommodating. Their
“German Infantry” was toyish, and their tank crews were robotically stiff. Metal still ruled the roost, insofar as
realism.
I have often wondered why hard
plastic figures come up short, even when the sculpting is extraordinary. The main problems are in the arms and
hands.
Arms often do not fit properly
to bodies, leaving gaps. Also, many
modelers place arms slightly off, without doing any corrective work to the
place where they join the shoulder.
Corrective work ,such as filing, smoothing, putty and adding creases to
clothes are essential for realism. Granted, some figures are so obtuse that
they make corrections too difficult, if not impossible.
The hands of plastic figures are
often shaped to accommodate whatever thing the modeler wishes to insert. The result is an open hand with protruding
thumb. Items are “clamped” by the hand,
rather than gripped. A modeler has to
rework the hand so that it is fused around the object it is holding. Using putty to fill the gap between the hand
and the object is fruitless. The
modeler has to cut, file, notch ,and otherwise rework the hand and fingers.
A side issue is the one of
individual pieces of equipment. Tamiya
was famous for packing canteens and other “add-ons.” The problem was that extra equipment was molded as if it were on
the shelf, not on the soldier’s back!
All field gear tends to fold or press into the soldier. Backpacks flatten on the back; canteens
press against the side, rather than resting atop the uniform. Tamiya did not take into account that
soldiers and uniforms are pliable. The
modeler needs to create impressions on the soldier into which equipment melds. (If you ever wore real field gear, you know
what I mean!
The sculptors of the better
metal figures were making very specific pieces, right down to weapons and
equipment. They were able to sculpt all
details precisely, and they knew how to account for field gear, hands and
weapons. The plastic sculptors in Japan
were not as cautious, as they were obviously using an “assembly-line” approach.
Plastic figure quality changed in the 1980s, as more makers entered the field. Tamiya began offering more realistic kit figures. Makers like Dragon, Airfix and Italeri produced kits of hard plastic figures that could almost match the best metals. A combination of better sculpting and better plastic technology has given us a broad range of plastic kit figures. These can be made “as is”, or converted with a few easy tricks.